NO BROKEN LINE, NO TOUCH, NO PASS In 1972, I came across a single‑line drawing of Lord Ganesha in a well‑known weekly magazine. It instantly inspired me and sparked a strong desire to visualize the entire story of the Sampoorna Ramayana in a continuous, serial form. Filled with enthusiasm, I picked up a pencil and began sketching the important scenes from the Sampoorna Ramayana using a single, unbroken line. Over time, these drawings were published consecutively in Prajaamatha without interruption. The significant scenes of the Sampoorna Ramayana, drawn in a single continuous line, appeared in the renowned magazine Prajaamatha in 1972. Each illustration was created so that the line never crossed or broke from the beginning to the end—for example, starting at one eye of Valmiki and ending at the other.

 In 1972, I came across a single‑line drawing of Lord Ganesha in a well‑known weekly magazine. It instantly inspired me and sparked a strong desire to visualize the entire story of the Sampoorna Ramayana in a continuous, serial form. Filled with enthusiasm, I picked up a pencil and began sketching the important scenes from the Sampoorna Ramayana using a single, unbroken line.

Over time, these drawings were published consecutively in Prajaamatha without interruption. The significant scenes of the Sampoorna Ramayana, drawn in a single continuous line, appeared in the renowned magazine Prajaamatha in 1972. Each illustration was created so that the line never crossed or broke from the beginning to the end—for example, starting at one eye of Valmiki and ending at the other.